November 21, 2012

SHITE

run off these words
you wont
and if change happens, who?
am i talking to you?
there will be no chalk line..

what will they when interested make of this?
and how often but never?

exactly
and that, in conversation
 conversely
concludingly
contre temps
endingly
over -

who was it that was you?
before i was talking to it?
and are you either or?

sound like some ple of shit french

bruv




c fu tur

when i was a kid i was a great fan of seeing into the future so when I found alcohol and drugs i thought id made it

but i hadnt

this is the future


There is a lack of some co-herent story here: B

butcher
mechanic
gardener
thinker
tinker
blinker(ed)
mask maker
heart breaker
spirit taker
vestibule

ergo sum.

Hey, Pastiche pants..

fuck off.

framing school re note:

maybe blue eyes..
rely on in-accuracy
speed of thought too slow
How could I have known?
He was - maybe a she
I -

there is a boundary to my in-accuracy
I believe I am in the frame
of truth
if not
the front page of noteworthiness

take it from me
please, take it from me.

(alternative and extra - guy - bad ending)

no?

ok.

as we were.
atoryori

November 15, 2012

Mixed Muffle Tours



This afterword hasp of mis-anthropic venison
Was made cumbersomely in extremis.
De-caffeinated analogues stirring in one lump or two
Ambled to clap, stuck through to you like a glue.

Am I gyratory? Would this world re-instate me?
Mandible knots, I do not think that to be so.

However, cut, mount, mould and slipsheet
Some scheme of work - maybe room-hire
maybe disabled access and properly, inclusion
Everything crumbles by barter to the cost

of drywood and shelter from a killing sky
as it rains on the skillet of friendship

Lost loins and bygones - let this be our alley

One day.

November 07, 2012

framing school notes

Accompanying notes for framing course:



1. directions
2.information and  terms and conditions
pricelist and services
3. course notes
4. invoices
5 course prospectus

2. Information and Terms and Conditions


  •  Deposit: A deposit of £50 is required on booking, however if booking is made within 21 days of the course beginning, the full amount is required.
  •  The outstanding balance will become payable not later than 21 days prior to course commencement
  • Costs per course include light refreshments and lunch.
  •  courses commence at 9.30 and end at 4.15
  • Basic materials are included. We do reserve the right to make charges for materials over and above the initial allocation.
  •  Students will receive full course notes
  • A maximum of four students will be admitted to the workshop at any one time.
  • The aim of this course is to provide artists and other professionals with a need to either partially or fully perform their own framing to conservation standards or better understand the process of framing.
  • There is no certificate on completion of this course. The course aims to meet the bespoke needs of its  students. If it is the intention of students to sit a particular exam - for example The Guild Commended Framer Commendation (GCF) - please let us know well in advance in order that training can be specifically tailored.
  • A comprehensive range of tools are provided and there is no need to bring anything unless you wish to. The only exception applies to mount decoration, for which you should bring your own lining pen (labelled with your name).
  • Location. Courses are held at our workshop in Ringland and full directions will be provided when booking is confirmed.
  • Accommodation. It may be possible to arrange self catering accommodation on site if required - please enquire for further details.
If you have any questions or require more information please telephone Liam Murphy on 07882 934100

Society in Preservation: An Angry Letter To The POMFAILSPEKVHC

 - Dear Preservation Of Morals and Firmaments Assembly In Local Sitting Presidence and Emminence of the KinKirBright Village Hall Committee ...